Mohammad Reza Yazdi

Commencing professional aspect of my work refers to the time when I was a university student and deeply attached to the movements and changes of living organisms. My initial inspiration since I had started working as an artist was athletic figures. More specifically, the way their actions operated fascinated me. My participation in Art and Olympic Biennale encouraged me to create projects that were more serious. At that time I managed to obtain statistical methods in showing ‘motion’ as a medium through observation, esearch and experiments upon the consequences of how exactly a phenomenon moves, mostly at slow-motion pace. In my opinion, motion and in general Kinetic Arts have brought dynamism into my artworks due to forms and their functions. Considering this statement, I can say that in the First Explosion collection the audience will closely encounter with my sculpture creating an interactive space. This correlation is directly connected to the viewer to deliberately shake the sculpture or make any movements. Moving one step forward, in Flying collection, I was capable of both creating stronger connection between my artwork and the audience and expanding it throughout giving a blow and by this air displacement the geometrical forms and surfaces were simply reformed and reshaped.In my recent project, the Deep Breathing, in which movements are designed mechanically, the rhythm of my own inhale and exhale is recorded and played. The harmonic combination of half traditional and half abstract motives produce geometric logical space. Iranian architecture and visual culture during the Islamic period are two tremendous sources of inspiration to me. I do believe site specific design is of great importance in preserving my perceptive skills. This indicates my enthusiasm to cooperate with interior designers and architects. My artworks are the interval between architecture, interior design and sculpture since there is agallant relation between them. The concept and purpose of buildings and structures is fundamentally altered based upon my designs, in a sense, the whole process of drawing and installing an additional object to a certain place manipulates the whole content of the space. It can be said that architecture is a live body so what I am presenting as a metaphor is to create both heart and lungs of the building due to its style, shape, color and all visual elements.

During the recent 3 years, I have had the privilege to be accompanied by three of the best engineers in the field of electronics and computer sciences who provide me with significant advancements in my projects. I am so pleased to enjoy their continuous cooperation. Mr. Farhad Pourkhorsandi and Mr. Hamidreza Maghari who are professional in electronics and hardware . Also Mr. Morteza Ghavami, a computer science expert, plays a pivotal role in programing my new projects. 

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